what's so hard about that?????

"The ode has its origins in ancient Greece and was initially written to be delivered with musical accompaniment. Relatively early in its history, the ode developed into a composition sung by two parts of a chorus; the first part of the chorus would sing a division of the poem subsequently called a strophe; then the second part of the chorus would sing the next division, identical in structure with the first and subsequently called the antistrophe; then the chorus as a whole would sing a third division of the poem, different in structure from the strophe and antistrophe and subsequently called the epode. It is also likely that some odes were delivered not by the chorus in two parts but by the chorus as a unit moving in one direction during the strophe, then in the opposite direction during the antistrophe, and standing still during the epode.

The modern ode, the ode in English, stems from the writings of the Greek poet Pindar and the Latin poet Horace. It exists in three major types, the first of which is the Pindaric or regular ode. Its structure is essentially that of the classical ode indicated above: the strophe and antistrophe can consist of any number of lines of any lengths following any rhyme scheme of the poet's choosing; they are, however, identical in structure. The epode differs in structure in whatever ways the poet chooses to make it differ to suit his content; it is usually placed after the antistrophe but may be used between the strophe and antistrophe. A strophe, antistrophe, and epode make up a triad. Thomas Gray's Progress of Poesy is an excellent example of the Pindaric ode: it is divided into three triads, each of which has a strophe, antistrophe, and epode. Though filled with artificialities, the poem illustrates the use of the Pindaric form.

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Even within the relative rigidity of the Pindaric ode, the poet has flexibility in determining the structure of the strophe (and hence, the antistrophe) as well as the epode. And even greater flexibility can be attained in the irregular ode. Frequently the ode has been used to commemorate an event of some significance to the poet and perhaps to his country; it has been used to mark a stage in the development of a poet's philosophic convictions with all the emotions attendant thereon; it has been used to compliment rulers and warriors and to celebrate the birth of Christ. Its range is wide. "